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Sans, Papyrus and West. D. Gaster

The skeletons in particular invite a ton of this:

• Sans is too lazy for his own good. To the point that he'll autumn asleep while doing extremely unproblematic tasks.
• The only jokes Sans knows are puns. In addition to this, information technology's common to meet him in fanworks every bit making puns much more often than he does in-game—in some cases, practically every other sentence even in more serious situations.
• Sans is incredibly overpowered, to the point where it's impossible to beat him.
• Sans is openly depressed and literally no i notices. ^notation This i in particular is very mis-portrayed, as many of the fans take "depressed" as pregnant "cries all the fourth dimension and is easily made distressing", with many a comic showing Sans breaking downwards sobbing, when in actuality, Sans'south "depression" in-canon is shown through things similar his complete lack of motivation, aloofness, and his lack of expressing emotion - The only time Sans is e'er seemingly shown suffering a legitimate, visible breakdown anywhere near the fan portrayals is in his appearance as a Lost Soul in the Truthful Pacifist final boss fight, where at that place'due south reason to believe he's crying and his dialogue address his very well-masked secrets that cause him to exist "depressed" to begin with, and even then that'due south both debatable and only when Sans literally has no control over himself. In the game, while Sans indeed is perchance one of the well-nigh miserable characters, he completely masks that side of him under a cool-headed facade, and the only times that he seems to lose his cool are the aforementioned Lost Soul scene and towards the end of his battle in the Genocide road.
• There accept been unlike fan interpretations of Sans manifestly having but one HP, including him being able to have increments of decimal damage to it (such equally what happens to the player at the climax of Asriel's boss fight in the pacifist run), or otherwise him being able to die from something equally elementary as tripping on a rock. Some fans have as well suggested that Sans gets around this by sleeping to restore HP above his maximum level, given that it'southward possible to do this in-game by sleeping at Snowed Inn.
• Sans is a Knight Templar Big Brother. To the point that he'll kill someone for even ''insulting'' Papyrus.
• Papyrus is full of himself, but not to the signal where he's unbearable. He also makes spaghetti considering he thinks people like it (though he's bad at it) and he makes lots of puns of his ain (especially in phone calls), while mostly finding Sans'due south puns to be bad due to overexposure or otherwise. Withal, co-ordinate to the fans, puns are Papyrus'southward Berserk Button and he'll fly into an Unstoppable Rage after hearing i, he makes spaghetti considering he likes it, and to him, It's All About Him.
• Sans calling Papyrus by the appreciating nickname "Pap" or "Paps".
• As a stylistic choice, many fan artists depict Sans every bit literally being chubby, in-spite of his existence a skeleton. ^* He'southward non fat, he'due south big boned! Which led to the pop fanon that both he and Papyrus both accept some "Ghost Flesh" or other magic organs of sorts that they can manifest at will.
• Papyrus is ofttimes associated with the colour crimson or orange while Sans is associated with bluish, presumably because that's the color of their outfits. This leads to things similar Papyrus'south magical abilities beingness depicted as orange in contrast with Sans'due south blueish (fifty-fifty though both brothers apply the same blue and teal colors for their abilities), and drawings with anything non-skeletal on their bodies (blushing, torso fluids, the aforementioned "ghost flesh", etc.) being in these colors as well, even though Papyrus visibly has a normal pink-colored blush during his date ^* Which could very well be read as orangish-red., and Sans probably bleeds crimson, bold it's non really ketchup).
• Sans'south sprites have a pair of curved lines merely nether his eyesockets; what these are are never specified, but fandom tends to agree that they're bags or nighttime circles.
• Sans's mouth is usually portrayed more expressively inside fanart than it is within the official game. While the game usually portrays him with a jovial or sinister grin (only tweaking it slightly under certain conditions as to non go far seem jovial), fanarts tend to change the shape of said grin to go far more than obvious he'due south not feeling happy at the moment, if they don't remove it birthday. Besides, many people depict Sans equally rarely opening his oral cavity while speaking, presumably because he's ane of the few characters in-game who doesn't animate while talking (a few others beingness Undyne under sure situations and Alphys under most situations).
• Sans's Offscreen Teleportation are universally called "Shortcuts", based on several lines of dialogue where he says he knows a shortcut immediately earlier walking you away from the destination or towards a expressionless end, but arriving at the aforementioned place anyway; he never openly associates them as the aforementioned matter, and at that place's no indication he'southward using his teleportation or actually meaning a shortcut at face value.
• It is very, very mutual to depict Sans keeping/wearing Papyrus' red scarf as a Tragic Keepsake during a genocide route, to the point where it'south pretty much a shorthand way for fanartists to tell the viewer "this is Sans in a genocide route". Such a connection is never even hinted at in-game. As an aside, this is normally complimented by Papyrus keeping/wearing Sans'due south jacket in fanart related to the hypothetical Genocide route where Sans is killed beginning instead.
• It's very popular to depict Sans'due south hoodie with fluffy or furry lining on the hood, despite official artwork and merchandise showing that's not the case.
• Sans's one-time occurrence of drinking a bottle of ketchup when you get with him to Grillby's is ofttimes wildly exaggerated into ketchup being a Trademark Favorite Food of his. Alphys does mention him liking ketchup-flavored chips during the first anniversary Q&A in a possible case of Ascended Fanon.
• Sans's Glowing Eye of Doom during the final battle of the Genocide route has inspired some creativity in the fandom. In the game, it only starts glowing when he'due south using any of his Mind over Thing attacks on you, simply some fans depict it acting up whenever he'south using any kind of set on (likely for dramatic/symbolic effect) or feeling peculiarly strong negative emotions, which somewhat conflicts with the in-game implication that his eyes plough blackness to indicate this. Fans accept also taken liberties regarding what the glowy-stuff actually looks like; considering of the game's elementary sprite pattern, it but appears to exist a flashing blue iris and nothing more than, but many fans draw it being flame or neon-similar, frequently taking the form of Magical Centre Streamers.
• Sans is sometimes drawn with a blue tongue and fangs, despite never being shown opening his mouth. This has become ridiculed by some fans, however.
• When Sans is defeated after his dominate boxing, something blood-red starts to come out of him. Opinions vary widely as to only what this is: the virtually obvious respond would be claret, but monsters are explicitly stated to turn to dust afterwards they die, and so this is unlikely. Other common interpretations include ketchup, which Sans is shown to enjoy drinking on other routes, and raw Determination.
• Fans really seem to like the idea of Westward.D. Gaster beingness Papyrus' and Sans's father. They practise likely have some connection, Sans uses "Gaster Blasters" in an assault, for example, simply any it is, the game doesn't elaborate on it.
• A pop fanon origin story for Sans and Papyrus is that they're creations of Gaster's, typically his clones. Some play this for drama, with Gaster performing horrible experiments on the brothers, while others get for a lighter take and simply characterize Gaster as an eccentric scientist who wanted children, or a scientist that got fastened when an experiment produced unintended results.
• Fans seem to have unanimously agreed that the mysterious entity plant in the Dummied Out Room 269 (the entity in question is identified as spr_mysteryman by the game'south lawmaking) is Due west.D. Gaster. This is non confirmed, but you wouldn't know that going by the fandom — even the Undertale Wiki and Fangamer tarot cards (which use licensed-out fanart rather than particularly-commissioned illustrations) go with it. In the aforementioned vein, for all the different ways fans have chosen to design Gaster for their fanart, it's also simply nearly unanimously agreed that he has a circular hole through the center of each of his easily. The ambiguous way his sprite is designed could exist interpreted this mode, just yous'd exist extremely hard pressed to discover one artist that doesn't. His article of clothing is also very vaguely depicted in the sprite, but fan art volition unremarkably depict him wearing a black jacket or longcoat over a white turtleneck.
• Some people interpret the Mystery Man sprite as non only being Gaster, but as well him afterward he'southward been injected with decision and he had a less creepy appearance before. It'southward ambiguous when the experiments involving determination were made, so it'due south possible that they happened after Gaster barbarous into his invention.
• Gaster tends to be interpreted past fans every bit being mute and communicating by sign language, due to being referred once as "the man who speaks in easily". While it's non an invalid interpretation (we never run across Gaster communicate in a way that portrays his concrete actions), the line likely refers to his Wingdinglish containing manus symbols.
• Sometimes, the Gaster Blasters are portrayed every bit the "pets" of Sans and Papyrus. They tin can be surprisingly cute for floating skulls that shoot giant laser beams.
• Some fan projects accept Gaster being stuck in a Void Between the Worlds where he's able to observe the world but unable to interact with it, even though such a concept in never even hinted at in the game at whatever point. All that is said bout Gaster'south fate is that he was "scattered beyond infinite and time". To be fair, the sometime is much easier to portray than the latter, and so it's washed more out of simplicity.
• It'due south never specified in-game what is the 'invention' Gaster fell into. Yet, fans ordinarily assume it's the CORE, since it's the i matter we know he created. Nonetheless other fans speculated that it might exist the Determination Extraction Machine (which is found in Alphys' lab, merely it'southward unsaid that Alphys didn't pattern it herself), or the machine plant in Sans' secret lab, or even something else entirely.
  • Riding off of this, it'southward besides causeless that everyone who falls within the CORE has the potential to end upwards similar Gaster.
• It is not entirely clear *when* Gaster was the royal scientist. We know that Alphys is his straight successor, and that it took Asgore a 'long fourth dimension' to replace him - but that still leaves a very vague timeframe. Many fans make him a contemporary of Chara and Asriel, mostly considering it gives the two of them more characters to collaborate with.
• Papyrus's Voice Grunting noises are nondescript compared to Sans's, merely he is oftentimes interpreted as sounding like Skeletor. Similarly, Sans's voice has been interpreted every bit sounding identical to Cr1TiKaL so often that he pointed it out in his video playing the game, maxim that he had gotten a ton of messages and emails telling him about how well his voice would fit. Fan voice actors took the idea, ran with it, and gave the fanon voices a sort of Vocal Development where they're not straight impressions of the source voices, but still have the qualities of them, with Papyrus being higher pitched with a trend to roll his r's, and Sans having a low, drawling voice. Similarly, some fans interpreted Sans having a like phonation to Patrick Star which might have possibly been Toby Fox'due south intentions after it was discovered his vox grunting was sampled from a line in "Something Smells"; "Possibly it's the way y'all're dressed?"
• A pop joke/plot bespeak in fan material is Sans having a ridiculously high tab at Grillby'south that he never pays off, so much then that "pay your [optional expletive] tab" is practically Grillby's fanon catchphrase. Although we do see him put a meal on his tab at 1 indicate in the game, we're not given any definite evidence that he does this regularly, and the notion that he does actually conflicts with the bird monster's statement that Sans is 1 of Grillby's all-time customers (of class, said bird monster later on admits that he's making everything he says upward, so that doesn't really mean much).
  • Related to the in a higher place, it'due south often joked that past killing Sans, you inherit his tab which is a big reason for Grillby to come after y'all (on elevation of killing his friends and customers). In fact, if yous look up a Grillby version of Megalovania, it will almost ever be a remixed version of Megalovania played backwards. This is oddly fitting equally Grillby is office of Sans' last thoughts after yous beat him in a genocide run. The line beneath is one of the jokes that would exist shown during his fight.

    He'd offering you mercy, but he never touches the stuff.

  • Furthermore, it'south often stated how hard his fight would exist equally fighting a burn down elemental in close quarters gainsay with a knife would be a remarkably bad idea. Plus, a lot of fans suggest he would carry a 1000 caste knife/sword.
• Fans often agree that Papyrus has access to the Gaster Blaster attack. There's not much to indicate he does other than his "non-bone attack." However new dialogue from the one.001 update supports this a touch: After abandoning a Genocide road at Papyrus, in his room is the box of unused basic. When examined:

  Papyrus: HAD I ONLY USED MY SPECIAL ATTACK, YOU SURELY WOULD Take BEEN BLASTED TO... HEY. Look. WHERE'S MY SPECIAL ATTACK?

  • Related to higher up, a common theory is that Papyrus is every bit powerful or even stronger than Genocide Sans just is Willfully Weak considering of his kind nature. At that place'south some dialogue in-game potentially supporting this, with Undyne claiming that Papyrus is "really freaking tough," simply exactly how tough is left open to interpretation.
• Since, when killed on a Genocide run, Papyrus's head falls off and dissolves much later than the residue of his body, it'southward a common theme in animations to depict Frisk/Chara stepping on his head to finish him off.
• When Papyrus appears in artwork, all his bones apart from his skull commonly appear black. This likely comes from his limbs actualization blackness in the overworld, although his battle sprite shows his bones as white.

Flowey

• Flowey tends to be drawn with two leaves in club to make him more expressive despite not possessing any in his normal course.

Frisk

• As a popular stylistic choice, fan art of battles will almost always show a human'due south SOUL equally a heart floating a brusk distance in front of or inside of them. This is mostly to aid such art make sense, equally otherwise a total combat floating heart looks awkward at best.
• Relatedly, it is more often than not taken that the main trait of Frisk'southward SOUL is determination because... well, information technology comes up a lot with Frisk. This is not confirmed outright or jossed past the lore that can be constitute in-game virtually human being SOULs.
• A lot of people interpret the protagonist as being completely mute or unable to talk. This doesn't make a lot of sense considering that would render them unable to talk to people on the phone, but regardless the idea persists. A common variant of this is to interpret them as being mute by choice. They are ofttimes presented as being fully capable of oral communication, but preferring to communicate with sign language. A possible explanation for why this is popular is simply that ambiguity is such an integral part of the protagonist (to the betoken that calling Frisk "he" or "she" is enough to first a flame war) that even assigning a certain vocalism to them just doesn't seem right.
• A pretty popular "after the Gilt Ending credits" theory is the idea that Frisk came back and retrieved Flowey in the underground, with the determination of including him in their new family in the hope of eventually redeeming him. Cue Flowey learning (though ever perplexed and unwilling) from all the chief characters.
• As mentioned with The Fallen Child example below, Frisk is depicted equally gender-neutral in catechism, never explicitly referred to every bit male or female, simply the fanart of them every bit a teen/immature developed tends to lean more on the latter (Albeit slightly). A third estimation is that Frisk is described as they/them because they're not-binary.
• Similar the Fallen Child, Frisk is very unremarkably believed to have red eyes (though according to the promo art before the game came out Frisk'southward eyes are actually brown), and to take been a victim of abuse and/or neglect, leading them to climb the mountain or having been abandoned in that location (with the Abandoned Quiche easter egg helping fuel the latter). The fact that there'south even a choice of whether to stay with Toriel or not (the latter is fifty-fifty cryptically phrased as "I have places to become" instead of "No, I want to go dwelling house") seems to betoken that whatever Frisk's pre-Underground situation was, they're because leaving it behind completely, which doesn't paint a motion picture of a domicile life of sunshine and light.
• Speaking of, an overwhelming number of mail-True Pacifist fanworks also have Frisk choosing to stay with Toriel and getting officially adopted by her, so that Goatmom has a family over again and Frisk tin stay close to their monster friends.
• While the player tin become any road, Frisk is most ofttimes characterized as a fundamentally good-natured kid with deep affection for all their monster friends, even Flowey at the end of True Pacifist, and whatever violence they practise is blamed on either the Fallen Child or more ofttimes now, the player themself, compelling Frisk to fight against their will. This is probably because Frisk's proper name is merely revealed on a True Pacifist run, the run requiring the role player character go out of their way to not kill whatever monsters at all and to brand friends with the master cast. Other recurring bits of characterization include Frisk being a big flirt (since the option keeps cropping up and they do "date" ii of their friends - plus, Dominion of Funny) even if they don't really mean anything by it, and beingness a smiley Cheerful Kid despite their graphic symbol sprite's unchanging lack of expression (though in a pacifist sentence, Sans does say that even when Frisk runs from fights, they do information technology with a smiling, which he may or may not hateful literally).

The Human SOULs

• At that place have been quite a few works which portray the half dozen other human being SOULs as children only like the protagonist and the Fallen Kid, fifty-fifty though the game doesn't provide whatever concrete indication as to any of their ages. There is evidence this could be correct, yet; Toriel's house does have toys and kids' shoes of diverse sizes, which supports the theory, and Toby also referred to several children falling into the monsters' realm in an interview earlier the game came out.
• The six previous humans have varying thoughts on what they should act like, just the Night Blue/Indigo SOUL is mostly portrayed as existence extremely violent, verging on No Mercy run levels of murderous due to their lost possessions, which are said to be covered in dust, which people frequently take to specifically mean the corpses of one or more than monsters.
• The yellow SOUL died in a stand-off with Undyne, but managed to accept out her eye before biting the dust.
• In fanart, information technology'southward common to draw the cyan SOUL every bit a beautiful petty daughter with a hair ribbon, the orange SOUL as a crude and scrappy young boy (or more than rarely a tomboyish girl), the blue SOUL as a ballerina with a Prim and Proper Bun, the regal SOUL equally a short, nerdy kid wearing glasses, the light-green SOUL every bit a kindhearted cook, and the yellow SOUL as a gunslinging cowboy (or cowgirl).
  • They're also normally made into a Gender-Equal Ensemble with the orange, yellow, and purple SOULs being boys and the blue, cyan, and greenish SOULs being girls (or with the green SOUL being a boy and the purple SOUL being a daughter).
  • The children are ofttimes fatigued wearing article of clothing matching the color of their SOUL. Sometimes this extends to drawing the bluish SOUL with a blue tutu, even though its overworld sprite shows it to be pink.

Napstablook

• We never do come across what Napstablook's cousin looked similar before becoming Mettaton, but most fanart depicts them as a little pink or lavender ghost with long hair roofing one of their eyes, much like Mettaton EX. Likewise, the Mad Dummy's ghost is assumed to be yellow or orangish like them, and the Ruins Dummy is assumed to be a greenish ghost with a missing centre. Afterward the Nintendo Switch port introduced Mad Dummy's new (and preferred) form, Mad Mew Mew, it became more common to depict Mad Dummy's ghost equally pink with eyelashes, sometimes including cat ear-like protrusions to match Mad Mew Mew's advent.
• Similarly, we never do learn Napstablook'southward cousin's name before he became Mettaton. A large bulk has settled on their name existence "Hapstablook" due to Papyrus dubbing them as such. ^{Note (spoilers)} Supporting this is the fact that Mettaton'southward quondam house in Waterfall is named "room_water_hapstablook" in the game's files.
• Despite Napstablook's overworld sprite depicting them as taller than Frisk, Sans, and quite a number of other characters, fanart volition frequently depict them being the size of a plushie.

The Fallen Child

• In the fandom, The Fallen Kid is almost universally drawn with red eyes, regardless of whether Chara is existence portrayed equally evil or not. This might exist considering of the SOULless Pacifist Ending, where they pull an Eye Awaken with glowing crimson eyes. When they appear in the Genocide ending, they accept optics the same color as their hair, which could be described as reddish brown, only probably not the deep, vivid cherry frequently shown. ^note Though to exist fair, it's tough to judge center colour accurately from a character sprite - Toriel besides has cerise eyes but it's not unremarkably obvious.
• Their gender:
  • In dissimilarity to the protagonist's gender which is oftentimes left completely open up-ended, fandom does tend a fiddling toward interpreting the Fallen as female. A few factors in this are the rosy cheeks on Chara's sprite (which tin can exist gender-neutral just are ofttimes associated with femininity) which makes many artists draw "her" equally Cute and Psycho, and the very name "Chara" being indicated every bit the proper name for the Fallen and vowel-ending names in English language, the game's native language, usually existence feminine. On summit of that, "χαρά" (which can be transcribed into "chará" or "khará"), in Greek, usually being feminine when used as a name, means "joy", "dear", or "delight".
  • There is all the same tons of room for a male Chara in fandom, though, peculiarly given Toby Fox'southward indication that you lot tin use your ain name for the Fallen (if y'all tin't call back of anything else), suggesting that the Fallen's gender should mayhap match the player'due south own.
  • As with Frisk, another very popular interpretation of the Fallen is that they're non-binary. Frisk has simply fallen into the Underground and no one even knows their name until the cease of True Pacifist, so it could well be that no 1 knows their gender, but the monsters did go to know Chara and their family unit refers to Chara with gender-neutral pronouns. While it could exist argued that Chara is gender-neutral because they're meant to be whatever gender the thespian decides and is referred to with gender-neutral pronouns to avoid confusion later in the game with whatever name y'all gave them, supporters of the idea of a non-binary Chara argue that the game affords you the risk to proper name Chara what you wish, but at the aforementioned time does not let you option their gender despite how unproblematic this would be to plan in a choice well-nigh gender at the same time if they were truly meant to be whatever gender the player preferred.
• The First Child'southward real proper noun being Chara. Officially they take no canon proper name for the reasons given to a higher place, but the game has a special response if you use it, the launch trailer using the name, and the in-game files refer to the character every bit such, causing many to consider it as proficient equally canon at this point.
• In some lighter-hearted stories with The Fallen Child/Chara and Frisk (either be information technology share mind or somehow separate), they're generally shown every bit something of a Jerkass in words alone, and otherwise harmless.
• Chara is very commonly depicted in fanworks every bit a victim of prolonged abuse while they were alive and before they fell into the secret by those who don't believe they are evil and desire to tie their unspecified "not happy reasons" for climbing Mt. Ebott to their hatred of humanity. This goes mitt-in-hand with the belief that their reason for climbing Mt. Ebott was that they were Driven to Suicide. Adding to this, and connecting it to the above headcanon that their eyes are red, their center color is often portrayed by defenders every bit one of the things the humans in the surface abused them for, like here.
• Nigh everything about the nature of the Fallen Kid's purpose in-game.
  • One of the most popular theories, by far is that the Fallen Kid is the one who begins moving Frisk during the cutscenes in the Genocide road.
  • Some other big idea that's risen recently is that The Fallen Child is the narrator in all routes, not just Genocide.
  • In improver, in office considering of their name in promotional materials which is derived from "character" and "truechara" internally, it's been speculated that Chara is the actual actor character, and is either controlling Frisk throughout the game or sharing control with them equally they did with Asriel. Suffice to say that the Fallen Child is ane of the most important and to the lowest degree well understood characters in Undertale, and that speculation about their role is unlikely to reach a conclusion at whatever bespeak in the about future. Toby Trick certainly isn't providing any clear answers.
• A recurring bit in fanworks with a malicious Fallen Child facing Sans downwardly in Genocide is having them tauntingly calling him "comedian". The would-exist nickname originated from early defoliation over who the Fallen meant when they mention "that comedian" at the Snowdin save betoken (it's supposed to exist Snowdrake, considering you accept to trigger his encounter and kill him before the kill counter in Snowdin runs out, but some fans took information technology to mean that the Fallen heart-searching over Sans).
• The Fallen Child's Trademark Favorite Food in fanworks is chocolate and they're depicted as being so obsessed with the stuff that they'll go for it at any opportunity, complete with jokes about non having chocolate somehow triggering violence from the Fallen (or getting chocolate stopping violence from the Fallen). In canon, they merely inquire nigh chocolate in one case, when inspecting Asgore'southward fridge in Genocide, and don't react at all to the chocolate bar in Toriel's fridge. Then again, considering the by now single-minded, power-hungry Fallen is even taking the time to stop and grumble about non finding chocolate well-nigh the finish of the otherwise extremely bleak and expressionless-serious Genocide, maybe fans accept a betoken.
• Since the Fallen Child had the same colour SOUL as Frisk and Frisk's defining trait is thought to be their determination, Chara's principal SOUL trait is commonly assumed to take been determination too.

Mettaton

• Fan depictions of Mettaton often portray him equally someone who Really Gets Effectually and hits on Annihilation That Moves. While he'south a vain Mr. Fanservice who banks a lot of his popularity on his adept looks, the game never makes whatever indication of his sexual or romantic inclinations.
• Mettaton is non exactly the greatest boss to Burgerpants, just a sizable portion of the fandom likes to portray him with an "I will slap-up you- only if anyone else bullies yous, they get hit" mentality.
• Mettaton's subject to something like to Papyrus, not only in personality, but in looks. On the latter, in the game, he's beautiful in the way David Bowie was. To the fans, he's beautiful in a way a woman is. Likewise, on the former, fans sometimes downplay or cypher his cutthroat edge and self mental attitude and bend his theatrics and flamboyancy for less of a "gender-bending showman" demeanor and more of a Sassy Gay Friend i.

Shopkeepers

• Burgerpants, to many fans, seems to ordinarily exist depicted with a slight Southern US/Texas drawl, and ordinarily smoking a cigarette, sometimes to the point of concatenation-smoking (despite only ane of his expressions featuring a cigarette).
• It's non uncommon to see fans depicting the flame girl in a Sailor Fuku (who is sometimes just chosen "Fuku") as either Grillby'due south daughter or at the very least related to him somehow.
• Pretty much whatever total-torso depiction of the shopkeepers (with the exception of Gerson, whose full trunk is seen on his tarot menu,) since their sprites are only seen from the waist upwardly.

Asriel

• Asriel most in his entirety ends up being this, as a effect of beingness a One-Scene Wonder. From the little we see of him, we know he's generally lovable, innocent, and artless, though acceptably developed considering all he'due south been through over his existence. On the other hand, (peradventure purely to emphasize Chara's mean-spirited nature from artists who believe in that interpretation), a lot of fanart tends to depict him as an incredibly cowardly, naive crybaby prone to fleeing, hiding, or crying at the get-go sign of conflict, non unlike Lucas at the start of Mother iii. Granted, much of this particular fanart is set earlier Asriel and Chara'due south commonage deaths, though from what we hear ingame, Asriel was surprisingly developed even during those years and was reluctant at worst when facing hard situations. When this isn't the case, Asriel as a kid is usually at the very least depicted every bit far more than naive and gullible than is implied ingame. As a saving grace, much if non all of these cases tend to be for the sake of emphasizing Asriel existence ambrosial rather than putting him down in whatsoever way.
• All we know is that Monsters that take Human SOULS are 'horrible beasts with unfathomable power' and 'look very unsettling'. Merely information technology'due south generally assumed that Asriel's "Ultimate God of Hyperdeath" course is also the form that he took after arresting Chara's SOUL.

Asgore and Toriel

• Asgore in the game, is a Gentle Giant who, while he does miss his family unit deeply and wants another chance, understands why Toriel left and hates him. Some fans, however, see him every bit a full-blown yandere to Toriel, doing annihilation and everything he can to drag her dorsum to him.
• Despite her very modest sprites in-game, nigh artwork and fictional descriptions of Toriel depict her as having a very full, voluptuous figure, typically sporting very large breasts and wide hips. While this is no doubt a result of the common sexualization of fictional characters, it'southward also likely the result of Toriel'southward motherly nature, as full-figured or voluptuous figures are usually associated with matronly archetypes.
• Toriel'south clearly not on good terms with Asgore by the fourth dimension they reunite inside the game, but the epilogue does have hints that they may, in time, mend their relationship. Not so according to some fans, who portray her going into a bloodthirsty rage at the mere sight of him.
• In the True Pacifist ending, Asgore naming the monsters' aboveground settlement "Newer Home" or "New New Home".

Muffet

• Muffet's design invites plenty of this due to having relatively few official artwork or merchandise yet withal being extremely pop:
  • Like Papyrus, many fan artists depict her arms equally dark majestic, possibly wearing long gloves, due to their color on her overworld sprite. In her battle sprite, they're the same color as her face, which is periwinkle on the overworld. (It should be noted that her hands are as well colored periwinkle on that sprite.)
  • On the flip side, her Beautiful Picayune Fangs are sometimes colored blackness as a result of her boxing sprite coloring them that manner, even though it's probable this is but for visibility purposes.
  • The forepart of Muffet'south dress is, according to Michelle Czajkowski's original concept artwork, supposed to consist of a collar and two sleeves from which her lower four arms extend. Due to the ambiguity of her sprite artwork, a lot of fan art shows these as being either one large ribbon (with the artillery simply poking out from the side of the dress), or a pocket-size ribbon with sleeves and no collar. Even more than faithful art oft adds a ribbon to the front of her dress.

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Source: https://tvtropes.org/pmwiki/pmwiki.php/Fanon/Undertale

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